Clemens Frischenschlager's artistic journey
has been both rich and diverse. From an early age, his work has been
oscillating between figuration and abstraction, in multiple media
such as painting, drawing and sculpting.
|
|
| |
|
 |
 |
 |
 |
| The New Works | 2006-present
|
|
| |
|

|
|
In his New
Works, Clemens Frischenschlager strives to stimulate viewers
visual sensibilities: distinguishable forms and shapes have given
way to a closely knit surface of rhythmic gesture and relief-like
texture. View
> |
|
| |
|
| |
|
| The Evolution Paintings
| 1996-2005 |
|
| |
|

|
|
The Evolution
Paintings assert Clemens Frischenschlager's fascination with the
human body, as the artist has evolved one of his core themesthe
metamorphosis of the human figurein ever-lighter variations.
View
> |
|
| |
|
| |
|
| The Graffiti Paintings
| 1996-1998 |
|
| |
|
|
|
The Graffiti
Paintings were inspired by NYC graffiti, particularly a mural
by Andre Charles. A combination of abstract form and text, the Graffiti
paintings were an early hint at more textual works to come. View
> |
|
| |
|
| |
|
| Fire Oven (Tapestry) |
1994-1995 |
|
| |
|

|
|
Fire Oven is the result of a 10-month weaving
project. The oversized tapestry,
executed in Gothic weaving techniques, depicts a compressed group
of figures in a horizontal movement, a reference to 20th Century crimes
against humanity. View
> |
|
| |
|
| |
|
| The Student Years | 1990-1995 |
|
| |
|

|
|
During his years at the Academy of Fine
Arts, Clemens Frischenschlager produced intricate studies of the human
body. His canvases were often executed in airy bright colors, with
a pronounced focus on painterly surface and gesture. View
> |
|
| |
|
| |
|
|
|
|